Marc D. Ostrow, Esq. https://validator.w3.org/feed/docs/rss2.html Contact Estate Planning for Composers: 10 Things to Do Before You Die Interview on Music Publishing Podcast Pubs and PROs: Making Sure Your Live Gig is Properly Licensed Five Reasons Why You Should Register Your Works With the Copyright Office Welcome No, You Don’t Own Your Arrangement of That Hit Song BMI Rate Court Judge KO’s DOJ on 100% Licensing The De Minimus Exception to Infringement is Now in Vogue for Sound Recordings Second Circuit Give Summary Victory to Songwriters The Question Songwriters Should Ask Obama at SXSW Home About Marc Services Will the Fair Play Fair Pay Act Get a Fair Hearing This Time? Why DOJ’s Mandate of 100% Licensing of Works by ASCAP and BMI is 100% Lunacy Legal Tune-Up Blog Do Candidates Have The Right To Conscript Songs For Political Purposes? Why the RIAA Indirectly Sued Aurous For Willful Copyright Infringement Blog All About The 100-Page White Paper on Remixes, First Sale and Statutory Damages The Biggest Mistake Composers Make About The Music Business Are Transformative Fair Use Principles Foul To Musicians? Do You Have The Chutzpah To Take A Gamble On Fair Use? Copyright Conundrums for Collaborators Bieber, Usher and the Fourth Circuit Dancing About Architecture The Second Circuit Terminates Copyright in Santa Claus Song The Director’s Cut Out of the Copyright by the Second Circuit A Peek at the Congressional Briefing Book on the Music Business Guest Blogger on NewMusicBox Why Pandora’s Batting 500 with BMI’s Recent Rate Court Win What’s Next for ASCAP and BMI as SESAC Buys The Harry Fox Agency? Did the Joker Write the Ninth Circuit’s Batmobile Decision? A Happy Birthday to a New Public Domain Song Back to the Future: Will the Seventh Circuit Transform Fair Use? Why The Copyright Office’s New Fair Use Index Rates Only Fair At Best A Declaration of Independence for the Copyright Office The Terminator: Where Copyright Meets Marriage Equality All You Need To Know About The Copyright Office’s 202-Page Music Licensing Report Resources The Art of the Bankruptcy Bluff Blurred Lines in the Difference between Copyright in a Song and in a Recording The Broad Comedy and Broader Parody of Three’s Company So, What’s The Songwriter Equity Act About? Five Things Composers Should Ask About Working With a Publisher Fat Chance for Skinny Puppy’s Guantanamo Claim Why the Register of Copyrights Wants to Turn In Her Library Card Copyright Law, Capitol Hill and the Music Business: Can This Marriage Be Saved? Google Books’ Dubious Distinction Between Transformative Use and Derivative Works